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Category: Diocese of Portsmouth – Youthwork

Windows of my Mind

It’s been a few months since my last post, and as usual, it’s a reflection of how busy I’ve been elsewhere! Since the start of 2018 I’ve been doing a lot more work with Portsmouth Cathedral on their annual theme programme, which has grown significantly even compared to the previous year.

I’ve also been doing a lot more making and even responded to a commission opportunity, so this seemed a good time to fill you in on what I’ve been up to, from a making point of view.

I must include a heartfelt note of thanks here to those wonderful chaps at The Maker’s Guild: Sam, Ming and Gav who have supported me enormously and most importantly, practically with moving my ideas from concept to a solid and sturdy reality. I couldn’t have done what I’ve done so far without their help and intervention.

At the end of January this year, the first of my installations went in. It was called A Journey Through Time and involved various site-specific installations throughout Portsmouth Cathedral building. Those visitors who braved and damp and dismal weather and came along ,remarked on how much they enjoyed it and how different elements spoke to them. The installation elements included projections in St Thomas’ Chapel, an array of mostly handmade candles in the Quire, a fountain in the font (it looked amazing!) and further projections onto the ceiling of the Nave. Each of these sections reflected how time travels and how natural objects can reflect the passage of time.

The next piece I created was for Harbour Church as part of their Good Friday event called ‘Renew’. At a planning meeting I had an idea about a piece featuring lots of small pieces of glass with black splodgy paint on one side and white splodgy paint mirrored on the the other. Although that concept was a bit too complex for the time available (we had only a month to action anything!) I was able to revise it to two larger pieces of glass with words on each side: life/death and hope/doubt. Originally I was trying to fit the word ‘despair’ on the other side, but the letters were so different, I was struggling to make it work. Nemo, who’s also based at Maker’s Guild said simply: “Why don’t you pick another word that means the same thing?” Genius! Yet another benefit of accessing MG (Maker’s Guild) is collaboration.

The finished piece Life/Death Hope/Doubt was constructed with the help of the fabulous Sam Asiri, whose carpentry skills far exceed my own! It was exhibited at Harbour Church during the event and for about a week afterwards.

The font was hand painted from a template I sourced online and it’s modelled on an ambigram – that is to say, certain letters are a mirror image of each other. What you see on the glass is a reflection of your perspective: do you see death, or life? Doubt or hope? Good Friday for Christians is very much about balancing on that knife edge and swinging betweenone and the other.

This piece then saw a new lease of life in the next piece of work I created: Windows of my Mind. For various reasons, I like to try and reuse parts of previous works in new pieces, so we decided to use part of the Life/Death frame in the construction of Windows of my Mind.

This piece was originally inspired by a call out for artists from an art festival in Basingstoke. Although I couldn’t attend the festival, the idea was still percolating in my brain, awaiting the proper time. The ‘proper time’ appeared in May 2018 to coincide with the wellbeing and mental health emphasis which we had as part of the annual theme programme at the Cathedral.

The premise behind Windows of my Mind is simple enough: our mental health changes how we see things. We all have mental health, just as we all have physical health. And in the same way we can catch a cold, or strain a muscle, we can also get run down, stressed or overloaded mentally and emotionally. How people are affected by poor mental health is manifested in these different windows. For some it’s despair – cloying and sticky, miring us in grief and inaction. For others its a sense of being foggy or directionless. For some nostalgia is what distorts our view: looking back at another time and believing it to be so much better than now. The whole piece contains 14 different elements which reflect aspects of mental health and it can be viewed in Portsmouth Cathedral, on the High Street, Old Portsmouth until May 25th.

Review of 2012

2012 certainly has been an eventful year here at the Potting Shed! There have been lots of memorable events over the course of the year and some exciting things to look forward to. Here are some of the highlights…

Somerstown Stories - a project devised by Sharon and funded by the Heritage Lottery Fund

Somerstown Stories – a project devised by Sharon and funded by the Heritage Lottery Fund

January saw the start of the wider community phase of Somerstown Stories. This project had already been nearly two years in the making, so it was both daunting and exciting to see it hit the streets of Somerstown.

Work continued from the highly successful launch of the project at Somers Park Primary School during the  preceding autumn term. The opportunity for partnership work was very exciting, and a wide range of local groups and organisations got involved including Southsea Community Centre, SureStart, Portsmouth Film Society, three local churches (St Luke’s, St Peter’s & The Kings Church), Omega Street Centre and two separate departments (Architecture and Creative & Performing Arts) within the University of Portsmouth.

Visitors at the Museum of Somerstown

Visitors at the Museum of Somerstown

During the course of the project we realised there would an underspend in the budget, but we quickly put the money to good use by running some extra events and funding a book*. One of the best events was the Museum of Somerstown – a temporary exhibition in an empty shop in Somerstown. We saw over 200 visitors over the course of the four days it was open – a fantastic response, aided in no small part by a great article in The News and interviews on Express FM.

Somerstown Stories as a project continues to generate interest, particularly through the Facebook page and there are plans to carry out some follow-up work in partnership with the University of Portsmouth as part of their community engagement work.

One of the authors reads his own work in print!

One of the authors reads his own work in print!

Other projects this year included Storytelling Club at Stamshaw Infants school. This involved running an after-school club for 5 weeks, helping the children to explore facets of storytelling and then to write their own original stories. These stories were printed in a specially made book, entitled ‘The Story Chest’.

I also had the opportunity to get involved in a cultural Olympiad project called  Dysarticulate. This was supported by legacy funding from the Creative Partnerships programme.

A ring of flags at Portsmouth High School

A ring of flags at Portsmouth High School

Working with local artist Jon Adams, I ran workshops in four different schools, facilitating flag making, using pages from recycled books. I can honestly say that every flag was unique and there were so many different ways to approach the work! Everyone was included, no matter what they felt their artistic skills were like.


The summer saw a change of pace with a return to North End Playscheme. This week-long children’s activity scheme has been running for nearly twenty years and is almost entirely staffed by volunteers. Here I exercised my storytelling skills once again with a suitably Olympic themed tale of daring-do entitled: “Lucy and the Race to Save the Olympics!” Lucy is a character I created years ago for a similar playscheme in London, and she often features if I’m doing a serialised story, as this one was. The afternoon saw a subtle shift from Storyteller to Administrator and First Aider, but as you might expect, Playscheme is always “all hands on deck!”

The autumn term has seen several days unpaid work go into finishing the Somerstown Stories book, which should be available in Jan/Feb 2013. There has also been some work for the University of Portsmouth, beginning to develop some community engagement work, and for the embryonic UK Community Partner Network  a national group, supported by the National Centre for Co-ordinating Public Engagement (NCCPE) which seeks to nurture and support community groups and organisations who work with universities:

2012 has been a diverse year, and in a climate of spending cuts and increased pressures on education and the arts, it feels like no small achievement to have made it this far! 2013 is full of curious uncertainty, with ideas in the pipeline waiting to come to fruition. To find out more you can also visit the new Facebook page: which also includes information about my photography and textile craft work or follow me on Twitter: @sharonaverona

Late summer splendour - original image taken by Sharon Court

Late summer bounty – original image taken by Sharon Court



Reaching Out…adventures in youthwork

I’ve just come back from delivering the first training session for the Deanery of Portsmouth’s new Outreach Team. This is a new venture that falls under the umbrella project managed by the Portsmouth Deanery Youthworker, Adam Court (my husband).

The project is being supported by Portsmouth City Council’s Youth Service and the Outreach team has been given permission to make regular use of their fully-fitted minivan, equipped with a sink, generator, flat screen and DVD player, interior seating as well as an awning, with table and chairs.

I’ve previously provided youthwork training for the Deanery Youthwork’s Mentoring scheme, Sure Step which is currently running at Charter Academy and City Girls schools. The outreach work is a new venture, so we’ve taken the content of the previous course and tailored it to meet the different needs of this project.

The team of volunteers were very enthusiastic and motivated, which is great, and I’m looking forward to hearing more about their adventures when they go out and about with the fully equipped minivan, in a couple of weeks time.

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